MC5 Solo — Oak , Nitzan Cohen , Mattiazzi
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When Solo was developed, the aim was to incorporate as many advantages as possible from the Mattiazzi production process and combining it into versatile, unique chair. This robust yet simple and refined furniture family was intended to be used in cafés and restaurants as well as at home.
- Nitzan Cohen, Italy
- Solid Oak of European origin
- Made in Italy
- Depth 49.5cm / 19.5"
- Width 57cm / 22.44"
- Height 73.5cm / 29"
- Seat Height 47.5cm / 18.7"
- Notes The chair is stackable 3 high
Nitzan Cohen
After several years as a designer at Konstantin Grcic Industrial Design, and earlier graduating from the design academy in Eindhoven; Nitzan Cohen established his own design practice- Studio Nitzan Cohen. A multi disciplinary design studio engaged in projects ranging from industrial products, furniture and spaces to art-direction and strategic consultancy. Collaborating with a wide range of partners -from large international corporations to small artists workshops, cultural institutions and Museums.
Mattiazzi
Udine, Italy
Among contemporary furniture manufacturers, Mattiazzi, the family owned producer of wooden furniture in Udine, Italy, is uncommon. While many producers in that region rely on third party factories and work in diverse materials, Mattiazzi operates with their own machines and hands, and has developed a healthy obsession for woodworking. Since 1978, when brothers Nevio and Fabiano Mattiazzi founded the company, Mattiazzi has steadily cultivated its local manufacturing culture. Their network of wood shops is diverse enough to support any manufacturing process the brand may need. Every shop has its own focus, from milling to lacquering, and a particular process always belongs to a specific part of town. But don’t let the neighborhood approach confuse you: Mattiazzi is no backyard shop. Their highly specialized craftsmen operate the most sophisticated machinery available to the wood industry. An eight-axis CNC milling machine allows wood to take the complex shapes associated with injection-molded plastic. Operating such a machine is an art and Mattiazzi disproves the modern myth that mechanized manufacturing is not a craft.
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